(1591e1592, or 1595, Hulst-30 June 1678, Antwerp) was a Flemish Baroque painter. De Vos was born in Hulst near Antwerp, now in the Dutch province of Zeeland. Like his older brother Cornelis and younger brother Jan, he studied under the little-known painter David Remeeus (1559-1626). He specialized in monumental animal scenes, especially hunts for aristocratic patrons, that are heavily influenced by Frans Snyders (to whom his sister Margaretha was married). De Vos became a master and joined the guild of St. Luke in 1620. As was frequent amongst artists in Antwerp, De Vos frequently collaborated with other painters. He painted animals in hunting scenes and armor in mythologies by Peter Paul Rubens and his studio. He also worked with Thomas Willeboirts Bosschaert, Erasmus Quellinus II, Anthony van Dyck, and Jan Wildens.   Related Paintings of Paul de Vos :. | Lever de lune | La Anunciacion,Con los Santos Ansano y Margarina y Cuatro profesar | Portrait of Gerard Cornelis van Riebeeck | Wien, vom Belvedere aus gesehen. | St. Matthew s |
Related Artists:
Hills, Anna Althea
American Painter, 1882-1930
Cristobal Rojas
Cristobal Rojas (Cua, Miranda, 15 December 1857 e Caracas, 8 November 1890) was one of the most important and high-profile Venezuelan painters of the 19th century. Rojas's styles varied considerably throughout his life, and he displayed talents in painting that ranged primarily for dramatic effect, to works done in the Impressionist style. Cristebal Rojas Poleo was born in the city of Cea in the Valles del Tuy to parents who worked in the medical profession. Part of his childhood occurred during the middle of the federal war (1859 - 1863) and Cea was particularly affected by the events of the war. He initiated studies under his grandfather, Jose Luis Rojas, who taught him how to draw and motivated him to improve. At 13 years old, his father died and he was forced to begin work in a tobacco factory in Cea to help support his family. In 1878, an earthquake devastated the Valles del Tuy region, and the Rojas faced poverty. As a result he moved to Caracas where he continued his painting studies, despite again having to work in the tobacco industry to support his mother and family. In Caracas he attended classes by Jose Manuel Mauco at the Universidad Central de Venezuela. Between 1880 and 1882, he developed a keen interest in oils and displayed a primitive technique that would prevail in his later paintings such as Ruinas de Cea despues del Terremoto and Ruinas del templo de la Merced. During this time he became acquainted with the painter Antonio Herrera Toro, also coming under contract as Toro's assistant to paint Caracas Cathedral.
Robert Havell Jr Prints
1793-1878 Engraver and painter, cousin of William Havell. He learnt the art of aquatint engraving from his father, Robert Havell I. He worked first in the family engraving business and then c. 1825-7 with Colnaghi in London. In 1827 he undertook the execution in aquatint of the plates for John James Audubon Birds of America, published in parts in London between 1827 and 1838. Havell engraved 425 of the plates and reworked the ten that had been engraved by William Home Lizars in Edinburgh. Havell father printed and coloured some of the double elephant folio sheets in 1827-8 after which Havell took on those tasks himself, establishing himself as a master of aquatint. Among his other important works in the medium are the plates for Mrs E. Bury Selection of Hexandrian Plants (London, 1831-4). In 1839, at Audubon invitation, Havell moved with his family to New York and embarked on a new career as a landscape painter in the style of the Hudson River school, while also working as an engraver. He settled in the Hudson River villages of Ossining (1841) and Tarrytown (1857) but painted throughout north-eastern America. View of Deerfield, Massachusetts (1847; Hist. Deerfield, MA) is characteristic of his quietly romantic idealization of his subjects. Niagara Falls from the Chinese Pagoda (1845; New York, Pub. Lib.), engraved by Havell after one of his paintings, is among the best known of his American aquatints. Though his reputation rests largely on his work for Audubon, his original subjects gave him greater opportunities to display the full range of his aquatint technique. Part of the Havell family